{"id":7385,"date":"2018-12-29T22:42:46","date_gmt":"2018-12-29T21:42:46","guid":{"rendered":"https:\/\/poesiaerestu.com\/revista\/?p=7385"},"modified":"2018-12-29T22:50:15","modified_gmt":"2018-12-29T21:50:15","slug":"museo-clase-obrera","status":"publish","type":"post","link":"https:\/\/poesiaerestu.com\/revista\/museo-clase-obrera\/","title":{"rendered":"MUSEO DE LA CLASE OBRERA"},"content":{"rendered":"<p><a href=\"https:\/\/poesiaerestu.com\/revista\/museo-clase-obrera\/museodelaclaseobrera\/\" rel=\"attachment wp-att-7386\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7386 alignleft\" src=\"https:\/\/spcdn.shortpixel.ai\/spio\/ret_img,q_cdnize,to_auto,s_webp:avif\/poesiaerestu.com\/revista\/wp-content\/uploads\/2018\/12\/Museodelaclaseobrera-189x300.png\" alt=\"\" width=\"189\" height=\"300\" srcset=\"https:\/\/spcdn.shortpixel.ai\/spio\/ret_img,q_cdnize,to_auto,s_webp:avif\/poesiaerestu.com\/revista\/wp-content\/uploads\/2018\/12\/Museodelaclaseobrera-189x300.png 189w, https:\/\/spcdn.shortpixel.ai\/spio\/ret_img,q_cdnize,to_auto,s_webp:avif\/poesiaerestu.com\/revista\/wp-content\/uploads\/2018\/12\/Museodelaclaseobrera-38x60.png 38w, https:\/\/spcdn.shortpixel.ai\/spio\/ret_img,q_cdnize,to_auto,s_webp:avif\/poesiaerestu.com\/revista\/wp-content\/uploads\/2018\/12\/Museodelaclaseobrera.png 257w\" sizes=\"auto, (max-width: 189px) 100vw, 189px\" \/><\/a><strong><em>MUSEO DE LA CLASE OBRERA<\/em><\/strong>,<a href=\"https:\/\/poesiaerestu.com\/revista\/museo-clase-obrera\/librorecomendado-1\/\" rel=\"attachment wp-att-7389\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7389 alignright\" src=\"https:\/\/spcdn.shortpixel.ai\/spio\/ret_img,q_cdnize,to_auto,s_webp:avif\/poesiaerestu.com\/revista\/wp-content\/uploads\/2018\/12\/Librorecomendado-1-300x278.jpg\" alt=\"\" width=\"300\" height=\"278\" srcset=\"https:\/\/spcdn.shortpixel.ai\/spio\/ret_img,q_cdnize,to_auto,s_webp:avif\/poesiaerestu.com\/revista\/wp-content\/uploads\/2018\/12\/Librorecomendado-1-300x278.jpg 300w, https:\/\/spcdn.shortpixel.ai\/spio\/ret_img,q_cdnize,to_auto,s_webp:avif\/poesiaerestu.com\/revista\/wp-content\/uploads\/2018\/12\/Librorecomendado-1.jpg 317w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;de <strong>Juan Carlos Mestre<\/strong>.<\/p>\n<p>Calambur Editorial, Colecci\u00f3n Poes\u00eda, n\u00ba 164.<\/p>\n<p>112 p\u00e1ginas.<\/p>\n<p>&nbsp;<\/p>\n<p><a class=\"fasc-button fasc-size-medium fasc-type-glossy fasc-rounded-medium\" style=\"background-color: #009e1a; color: #ffffff;\" href=\"https:\/\/librodepoesia.com\/producto\/museo-de-la-clase-obrera-juan-carlos-mestre\/\">COMPRAR LIBRO DE POES\u00cdA<\/a><\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; El paso del siglo XX al XXI ha tra\u00eddo la consagraci\u00f3n definitiva de Juan Carlos Mestre (Villafranca del Bierzo, Le\u00f3n, 1957) en el \u00e1mbito de las letras hisp\u00e1nicas, con la obtenci\u00f3n del Premio Nacional de Poes\u00eda en 2009 por <em>La casa roja<\/em>, y del Premio Nacional de la Cr\u00edtica en 2012 por <em>La bicicleta del panadero<\/em>. Reconocido poeta, ensayista y tambi\u00e9n artista pl\u00e1stico, Mestre se hab\u00eda dado a conocer en 1982 \u2013con <em>Siete poemas escritos junto a la lluvia<\/em>-, y m\u00e1s a\u00fan en 1986 con su muy hermoso trabajo titulado <em>Ant\u00edfona del oto\u00f1o en el valle del Bierzo<\/em>, ganador del Premio Adon\u00e1is. Luego, obras como <em>La poes\u00eda ha ca\u00eddo en desgracia<\/em> (Premio \u201cJaime Gil de Biedma\u201d en 1992) o <em>La tumba de Keats<\/em> (Premio \u201cJa\u00e9n\u201d en 1999) contribuyeron a asentar la reputaci\u00f3n del autor como soberano representante de la imaginaci\u00f3n po\u00e9tica, capaz de tender un \u201cpuente entre la realidad y lo maravilloso, intuici\u00f3n y revelaci\u00f3n de otra realidad desde la experiencia del lenguaje\u201d, en palabras de Jos\u00e9 Enrique Mart\u00ednez. El sello Calambur, que ha reeditado las tres obras citadas en \u00faltima instancia, y que public\u00f3 las tambi\u00e9n aludidas <em>La casa roja<\/em> y <em>La bicicleta del panadero<\/em>, presenta ahora <em>Museo de la clase obrera<\/em>, sin duda una de las propuestas m\u00e1s radicales \u2013si no la m\u00e1s radical- de cuantas Mestre haya dado a la imprenta desde el inicio de su trayectoria.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; En el texto de introducci\u00f3n al libro, firmado por el director literario de Calambur Poes\u00eda, Emilio Torn\u00e9 \u2013y que figura repartido en las solapas de la edici\u00f3n-, leemos lo siguiente: \u201cL\u00f3gica subvertida, m\u00e1s no ausencia de l\u00f3gica (\u2026) Retazos de realidad redibujados en la geometr\u00eda movediza de la imaginaci\u00f3n (\u2026) Prueba de ello es el rechazo de la jerarqu\u00eda y la estructura tradicionales del poema, lo que deviene en un texto sin centro, sin figuras ni fondos definidos. Los paralelismos llevan as\u00ed\u201d, a\u00f1ade Emilio Torn\u00e9, \u201ca la pintura y a la m\u00fasica contempor\u00e1neas\u201d. Tan es as\u00ed que, por momentos, los lectores pueden experimentar la sensaci\u00f3n de hallarse ante las p\u00e1ginas m\u00e1s vanguardistas, dislocadas o furiosamente abstractas de <em>El juramento de la pista de front\u00f3n<\/em>, de John Ashbery. Poes\u00eda no s\u00f3lo consciente sino orgullosa de su complejidad \u2013\u201cllevo entre las palabras un reloj desarmado\u201d; \u201cla poes\u00eda es una lengua extranjera como el olor del mar en los cuadros podridos de un museo\u201d-, la elecci\u00f3n por parte de Juan Carlos Mestre del vers\u00edculo y del poema en prosa como estructuras formales impulsan la configuraci\u00f3n de una galer\u00eda imaginativa de saturaci\u00f3n extrema, donde abundan los hallazgos caracter\u00edsticos de la po\u00e9tica del autor \u2013\u201clos matasuegras de nochevieja pasan el invierno con los pies vendados\u201d; \u201ctodo cuerpo es la imitaci\u00f3n pornogr\u00e1fica de una escultura griega\u201d-. Homero, Elena de Troya, Rimbaud, Stockhausen y Gertrude Stein pueden tener cabida en un mismo texto, sin que ello suponga menoscabo de la preocupaci\u00f3n socio-econ\u00f3mica y socio-pol\u00edtica que da raz\u00f3n de ser al t\u00edtulo de la obra. De tal manera, a \u201cla explotaci\u00f3n de los subsaharianos en la caba\u00f1a de klee\u201d le resulta factible revisar algunos fragmentos de la actualidad con una furiosa mirada y carga cr\u00edticas: \u201cpor la carrera de san jer\u00f3nimo que conduce al desolladero de osos del kil\u00f3metro cero \/ la destrucci\u00f3n del significante la democracia sin libertad\u201d.<\/p>\n<p style=\"text-align: center;\"><a class=\"fasc-button fasc-size-xlarge fasc-type-glossy fasc-rounded-medium\" style=\"background-color: #24de33; color: #ffffff;\" href=\"https:\/\/librodepoesia.com\/producto\/museo-de-la-clase-obrera-juan-carlos-mestre\/\">COMPRAR LIBRO DE POES\u00cdA<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>MUSEO DE LA CLASE OBRERA, &nbsp;de Juan Carlos Mestre. Calambur Editorial, Colecci\u00f3n Poes\u00eda, n\u00ba 164. 112 p\u00e1ginas. &nbsp; COMPRAR LIBRO DE POES\u00cdA &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; El paso del siglo XX al XXI ha tra\u00eddo la consagraci\u00f3n definitiva de Juan Carlos Mestre (Villafranca del Bierzo, Le\u00f3n, 1957) en el \u00e1mbito de las letras hisp\u00e1nicas, con la obtenci\u00f3n del&#8230;<\/p>\n","protected":false},"author":1,"featured_media":7386,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[6,41],"tags":[42],"class_list":["post-7385","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libros","category-resenas","tag-libro-recomendado-aep-2018"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.7 (Yoast SEO v27.5) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>MUSEO DE LA CLASE OBRERA - 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