{"id":7169,"date":"2018-04-26T00:11:06","date_gmt":"2018-04-25T22:11:06","guid":{"rendered":"https:\/\/poesiaerestu.com\/revista\/?page_id=7169"},"modified":"2018-10-14T14:06:26","modified_gmt":"2018-10-14T12:06:26","slug":"libros-recomendados","status":"publish","type":"page","link":"https:\/\/poesiaerestu.com\/revista\/libros-recomendados\/","title":{"rendered":"Libros recomendados"},"content":{"rendered":"<section class=\"l-section wpb_row height_medium\"><div class=\"l-section-h i-cf\"><div class=\"g-cols vc_row via_flex valign_top type_default stacking_default\"><div class=\"vc_col-sm-12 wpb_column vc_column_container\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"w-grid us_grid type_grid layout_7202 cols_3 pagination_regular preload_style_spinner\" id=\"us_grid_1\" style=\"--columns:3;--gap:1.5rem;\" data-filterable=\"true\"><style>@media (max-width:1024px){#us_grid_1{--columns:2!important}}@media (max-width:600px){#us_grid_1{--columns:1!important}}.layout_7202 .w-grid-item-h{}<\/style><div class=\"w-grid-list\">\t<article class=\"w-grid-item size_1x1 post-11002 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas\" data-id=\"11002\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/desde-el-tartaro-de-ivan-martin-yanez-la-enfermedad-cronica-escrita-en-lenguaje-de-ingenieria\/\" aria-label=\"Desde el T\u00e1rtaro, de Iv\u00e1n Mart\u00edn Y\u00e1\u00f1ez: la enfermedad cr\u00f3nica escrita en lenguaje de ingenier\u00eda\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_Desde-le-tartaro.avif\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_Desde-le-tartaro.avif 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_Desde-le-tartaro-211x300.avif 211w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"403c38\" style=\"--dominant-color: #403c38;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/desde-el-tartaro-de-ivan-martin-yanez-la-enfermedad-cronica-escrita-en-lenguaje-de-ingenieria\/\">Desde el T\u00e1rtaro, de Iv\u00e1n Mart\u00edn Y\u00e1\u00f1ez: la enfermedad cr\u00f3nica escrita en lenguaje de ingenier\u00eda<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Desde el T\u00e1rtaro, \u00f3pera prima po\u00e9tica de Iv\u00e1n Mart\u00edn Y\u00e1\u00f1ez, traduce la enfermedad cr\u00f3nica al vocabulario t\u00e9cnico e industrial que el autor ha manejado en sus distintas profesiones. La cr\u00edtica de Ana Mar\u00eda Olivares recorre estructura, estilo, contexto y comparaci\u00f3n con Gamoneda, Plath, Bola\u00f1o, Garc\u00eda Vald\u00e9s y Maillard, y concluye con un juicio honesto sobre logros y l\u00edmites del volumen.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10983 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas\" data-id=\"10983\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/el-mosaico-del-duende-de-igor-wilk-la-dignidad-de-lo-minimo\/\" aria-label=\"\u00abEl mosaico del duende\u00bb, de Igor Wilk: la dignidad de lo m\u00ednimo\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_El-mosaico-del-duende.avif\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_El-mosaico-del-duende.avif 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_El-mosaico-del-duende-211x300.avif 211w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"281c16\" style=\"--dominant-color: #281c16;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/el-mosaico-del-duende-de-igor-wilk-la-dignidad-de-lo-minimo\/\">\u00abEl mosaico del duende\u00bb, de Igor Wilk: la dignidad de lo m\u00ednimo<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Igor Wilk llega a su primer libro de poes\u00eda, \u00abEl mosaico del duende\u00bb (Editorial Poes\u00eda eres t\u00fa, 2026), con una biograf\u00eda que no es la habitual en un debutante: matem\u00e1tico de formaci\u00f3n, consultor de empresas, actor de teatro de improvisaci\u00f3n y pianist<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10972 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas\" data-id=\"10972\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/detras-de-ti-de-nadina-fernandez-caurel-cuando-una-preposicion-se-vuelve-una-cuestion-moral\/\" aria-label=\"Detr\u00e1s de ti, de Nadina Fern\u00e1ndez Caurel: cuando una preposici\u00f3n se vuelve una cuesti\u00f3n moral\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_Detrasdeti.avif\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_Detrasdeti.avif 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_Detrasdeti-211x300.avif 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/07\/0_Portada_Detrasdeti-42x60.avif 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"565b5c\" style=\"--dominant-color: #565b5c;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/detras-de-ti-de-nadina-fernandez-caurel-cuando-una-preposicion-se-vuelve-una-cuestion-moral\/\">Detr\u00e1s de ti, de Nadina Fern\u00e1ndez Caurel: cuando una preposici\u00f3n se vuelve una cuesti\u00f3n moral<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Detr\u00e1s de ti, primer poemario de Nadina Fern\u00e1ndez Caurel, hace de una preposici\u00f3n una cuesti\u00f3n moral: \u00abdetr\u00e1s\u00bb deja de se\u00f1alar lo que se abandona para nombrar la mirada que la superviviente recupera. Cr\u00edtica de sus aciertos \u2014el desdoblamiento como s\u00edntoma, la contenci\u00f3n, el giro final\u2014 y de sus excesos, con Lorca, Collado, Pizarnik y Figuera Aymerich al fondo.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10964 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-ana-maria-olivares tag-ediciones-amaniel tag-literatura-espanola tag-novela-negra tag-paralisis-del-sueno tag-resena tag-roberto-pepio-martinez tag-thriller-psicologico\" data-id=\"10964\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/lo-que-veo-mientras-duermo-de-roberto-pepio-martinez-el-thriller-como-forma-de-analisis-moral\/\" aria-label=\"\u00abLo que veo mientras duermo\u00bb, de Roberto Pepi\u00f3 Mart\u00ednez: el thriller como forma de an\u00e1lisis moral\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Lo-que-veo-mientras-duermo.avif\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Lo-que-veo-mientras-duermo.avif 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Lo-que-veo-mientras-duermo-211x300.avif 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Lo-que-veo-mientras-duermo-42x60.avif 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"2f2b29\" style=\"--dominant-color: #2f2b29;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/lo-que-veo-mientras-duermo-de-roberto-pepio-martinez-el-thriller-como-forma-de-analisis-moral\/\">\u00abLo que veo mientras duermo\u00bb, de Roberto Pepi\u00f3 Mart\u00ednez: el thriller como forma de an\u00e1lisis moral<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Rese\u00f1a de \u00abLo que veo mientras duermo\u00bb (Ediciones Amaniel, 2026), de Roberto Pepi\u00f3 Mart\u00ednez. Un thriller psicol\u00f3gico de ambici\u00f3n literaria que convierte la par\u00e1lisis del sue\u00f1o en problema epistemol\u00f3gico y la corrupci\u00f3n policial en dilema moral. Por Ana Mar\u00eda Olivares.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10950 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-critica-literaria tag-debut tag-lucia-alba-alcantara tag-opus-mei tag-poemario tag-poesia-eres-tu tag-poesia-espanola tag-poesia-mistica tag-resena\" data-id=\"10950\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/opus-mei-lucia-alba-alcantara-critica\/\" aria-label=\"OPUS MEI, de Luc\u00eda Alba Alc\u00e1ntara: el dolor convertido en m\u00e9todo\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_OpusMei.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_OpusMei.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_OpusMei-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_OpusMei-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"aca59f\" style=\"--dominant-color: #aca59f;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/opus-mei-lucia-alba-alcantara-critica\/\">OPUS MEI, de Luc\u00eda Alba Alc\u00e1ntara: el dolor convertido en m\u00e9todo<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Ana Mar\u00eda Olivares analiza OPUS MEI, el debut de Luc\u00eda Alba Alc\u00e1ntara (Dos Hermanas, 1983): diez estaciones po\u00e9ticas de estirpe m\u00edstica y factura barroca que convierten casi una d\u00e9cada de sufrimiento en un riguroso camino de conocimiento interior.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10937 post type-post status-publish format-standard has-post-thumbnail hentry category-libros category-resenas tag-cronica tag-editorial-poesia-eres-tu tag-enrique-graciani-constante tag-feria-de-abril tag-poesia tag-resena tag-semana-santa tag-sevilla\" data-id=\"10937\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/la-imaginacion-al-poder-sevilla-en-primavera-cronicas-desde-mi-salon-de-enrique-graciani-constante\/\" aria-label=\"La imaginacion al poder: Sevilla en primavera. Cronicas desde mi salon, de Enrique Graciani Constante\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_portada_Sevilla-en-primavera.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_portada_Sevilla-en-primavera.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_portada_Sevilla-en-primavera-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_portada_Sevilla-en-primavera-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"414449\" style=\"--dominant-color: #414449;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/la-imaginacion-al-poder-sevilla-en-primavera-cronicas-desde-mi-salon-de-enrique-graciani-constante\/\">La imaginacion al poder: Sevilla en primavera. Cronicas desde mi salon, de Enrique Graciani Constante<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Enrique Graciani Constante propone en Sevilla en primavera la escritura como juego y la imaginaci\u00f3n como aliada existencial. Un libro de madurez que retrata la Semana Santa y la Feria de Sevilla desde el mirador \u00edntimo de quien sabe que el tiempo de decir lo esencial ha llegado.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10883 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-caminantes tag-duelo tag-isabel-martin-grande tag-memoria tag-poemario tag-poesia-contemporanea tag-resena\" data-id=\"10883\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/caminantes-de-isabel-martin-grande-la-palabra-como-hilo-para-atravesar-el-duelo\/\" aria-label=\"\u00abCaminantes\u00bb, de Isabel Mart\u00edn Grande: la palabra como hilo para atravesar el duelo\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Caminantes.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Caminantes.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Caminantes-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Caminantes-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"514e49\" style=\"--dominant-color: #514e49;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/caminantes-de-isabel-martin-grande-la-palabra-como-hilo-para-atravesar-el-duelo\/\">\u00abCaminantes\u00bb, de Isabel Mart\u00edn Grande: la palabra como hilo para atravesar el duelo<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Rese\u00f1a de Caminantes, el debut po\u00e9tico de Isabel Mart\u00edn Grande: treinta y seis poemas del duelo y la memoria que hacen de la palabra un hilo para no perder al ausente. Por Ana Mar\u00eda Olivares.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10873 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-bybrossa tag-copla tag-duelo tag-editorial-poesia-eres-tu tag-elegia tag-flamenco tag-jose-julio-brossa tag-poemario-2026 tag-poesia-contemporanea tag-poesia-espanola tag-resena\" data-id=\"10873\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/coplas-de-rojo-y-negro-de-jose-julio-brossa-una-arquitectura-del-duelo\/\" aria-label=\"Coplas de rojo y negro, de Jos\u00e9 Julio Brossa: una arquitectura del duelo\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Coplas-de-rojo-y-negro.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Coplas-de-rojo-y-negro.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Coplas-de-rojo-y-negro-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Coplas-de-rojo-y-negro-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"b5b4b4\" style=\"--dominant-color: #b5b4b4;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/coplas-de-rojo-y-negro-de-jose-julio-brossa-una-arquitectura-del-duelo\/\">Coplas de rojo y negro, de Jos\u00e9 Julio Brossa: una arquitectura del duelo<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Cr\u00edtica literaria de Coplas de rojo y negro, primer libro publicado de Jos\u00e9 Julio Brossa. Un poemario del duelo organizado en las siete etapas del proceso, escrito con la econom\u00eda de la copla y el desgarro del cante jondo, que se atreve a increpar a Dios y a imaginarlo perdiendo. An\u00e1lisis de su estructura, su voz, sus recursos formales, su dimensi\u00f3n religiosa e intermedial y su lugar en la tradici\u00f3n eleg\u00edaca espa\u00f1ola.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10834 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-780 tag-critica-literaria tag-editorial-poesia-eres-tu tag-jaen tag-las-huellas-de-la-sierpe tag-maria-angeles-solis-del-rio tag-poesia-espanola tag-poesia-de-lugar\" data-id=\"10834\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/las-huellas-de-la-sierpe-de-maria-angeles-solis-del-rio-el-mito-como-cartografia-del-alma-jaenesa\/\" aria-label=\"Las huellas de la Sierpe, de Mar\u00eda \u00c1ngeles Sol\u00eds del R\u00edo. El mito como cartograf\u00eda del alma jaenesa\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_LAS-HUELLAS-DE-LA-SIERPE_PET.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_LAS-HUELLAS-DE-LA-SIERPE_PET.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_LAS-HUELLAS-DE-LA-SIERPE_PET-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_LAS-HUELLAS-DE-LA-SIERPE_PET-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"7d7d7d\" style=\"--dominant-color: #7d7d7d;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/las-huellas-de-la-sierpe-de-maria-angeles-solis-del-rio-el-mito-como-cartografia-del-alma-jaenesa\/\">Las huellas de la Sierpe, de Mar\u00eda \u00c1ngeles Sol\u00eds del R\u00edo. El mito como cartograf\u00eda del alma jaenesa<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Las huellas de la Sierpe (Editorial Poes\u00eda eres t\u00fa, 2026) re\u00fane diecinueve poemas en torno a la mitolog\u00eda y el paisaje de Ja\u00e9n. Mar\u00eda \u00c1ngeles Sol\u00eds del R\u00edo trabaja con formas cl\u00e1sicas \u2014soneto, d\u00e9cima, romance\u2014 para convertir la leyenda del lagarto de la Magdalena en una reflexi\u00f3n sobre identidad colectiva, memoria y redenci\u00f3n. Un poemario de rigor formal y coherencia simb\u00f3lica que trasciende el costumbrismo y afirma una voz po\u00e9tica propia.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10855 post type-post status-publish format-standard has-post-thumbnail hentry category-libros category-resenas\" data-id=\"10855\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/instrumento-de-paz-clavel-la-precision-del-dano\/\" aria-label=\"INSTRUMENTO, de Paz Clavel: la precisi\u00f3n del da\u00f1o\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Instrumento.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Instrumento.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Instrumento-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/06\/0_Portada_Instrumento-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"376063\" style=\"--dominant-color: #376063;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/instrumento-de-paz-clavel-la-precision-del-dano\/\">INSTRUMENTO, de Paz Clavel: la precisi\u00f3n del da\u00f1o<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\">INSTRUMENTO, de Paz Clavel: la precisi\u00f3n del da\u00f1o Ficha t\u00e9cnica T\u00edtulo: Instrumento. Autora: Paz Clavel (seud\u00f3nimo de Mira Karamfilova). Editorial: Ediciones Amaniel. A\u00f1o: 2026. P\u00e1ginas: aprox. 320. ISBN: 978-84-128111-8-6. G\u00e9nero:&hellip;<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10814 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-carlos-enrique-rodrigo-lopez tag-critica-literaria tag-ediciones-rilke tag-ohmenageries tag-poesia\" data-id=\"10814\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-ojos-de-danubio-azul\/\" aria-label=\"Ojos de Danubio Azul (Ohmenageries), de Carlos Enrique Rodrigo L\u00f3pez: el poeta que habita a los poetas\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0_Portada_Casadefieras.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0_Portada_Casadefieras.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0_Portada_Casadefieras-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0_Portada_Casadefieras-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"373737\" style=\"--dominant-color: #373737;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-ojos-de-danubio-azul\/\">Ojos de Danubio Azul (Ohmenageries), de Carlos Enrique Rodrigo L\u00f3pez: el poeta que habita a los poetas<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Carlos Enrique Rodrigo L\u00f3pez llega a Ojos de Danubio Azul (Ohmenageries) con el bagaje de seis publicaciones anteriores \u2014entre poemarios, c\u00f3mic, relatos y novela hist\u00f3rica\u2014 y una pr\u00e1ctica po\u00e9tica definida: la ohmenagerie, t\u00e9rmino que el propio autor acu\u00f1\u00f3 en su anterior libro La casa de las fieras (Ediciones Rilke, 2020) para describir una poes\u00eda que nace de la lectura de otros poetas, los habita y los transforma en algo irrevocablemente propio. La tesis de esta cr\u00edtica es que Rodrigo ha perfeccionado en este segundo poemario gr\u00e1fico el mecanismo de la apropiaci\u00f3n hasta convertirlo en una po\u00e9tica aut\u00f3noma y coherente: ya no es el poeta que rinde homenaje, es el poeta<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10792 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas\" data-id=\"10792\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/el-brillo-de-los-cristales-rotos-de-jose-castella-blanch-cuando-la-memoria-no-conserva-sino-destruye\/\" aria-label=\"El brillo de los cristales rotos, de Jos\u00e9 Castell\u00e0 Blanch: cuando la memoria no conserva sino destruye\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0Portada_El-brillo-de-los-cristales-rotos.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0Portada_El-brillo-de-los-cristales-rotos.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0Portada_El-brillo-de-los-cristales-rotos-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0Portada_El-brillo-de-los-cristales-rotos-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"7a6b5d\" style=\"--dominant-color: #7a6b5d;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/el-brillo-de-los-cristales-rotos-de-jose-castella-blanch-cuando-la-memoria-no-conserva-sino-destruye\/\">El brillo de los cristales rotos, de Jos\u00e9 Castell\u00e0 Blanch: cuando la memoria no conserva sino destruye<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>An\u00e1lisis cr\u00edtico de El brillo de los cristales rotos, quinto poemario de Jos\u00e9 Castell\u00e0 Blanch: una exploraci\u00f3n de la memoria como proceso de destrucci\u00f3n, el tiempo que cae, la voz estoica y los cristales que brillan desde la desesperanza.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10764 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-critica-literaria tag-editorial-poesia-eres-tu tag-libertad tag-poesia-2026 tag-poesia-bilingue tag-poesia-contemporanea tag-poesia-testimonial tag-silvia-cubeles-vaquero\" data-id=\"10764\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-literaria-de-libertad-de-silvia-cubeles-vaquero\/\" aria-label=\"Cr\u00edtica literaria de Libertad de Silvia Cubeles Vaquero\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0Portada_Libertad.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0Portada_Libertad.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0Portada_Libertad-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0Portada_Libertad-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"5a594d\" style=\"--dominant-color: #5a594d;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-literaria-de-libertad-de-silvia-cubeles-vaquero\/\">Cr\u00edtica literaria de Libertad de Silvia Cubeles Vaquero<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Cr\u00edtica literaria de Libertad, el primer poemario de Silvia Cubeles Vaquero (Editorial Poes\u00eda eres t\u00fa, 2026). Un testimonio biling\u00fce (castellano-catal\u00e1n) escrito desde la prisi\u00f3n y el psiqui\u00e1trico, donde la crudeza del testimonio genera su propia po\u00e9tica.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10661 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-amor tag-ana-maria-olivares tag-antonio-del-barrio-estremera tag-editorial-poesia-eres-tu tag-mimbres-de-amor tag-poesia tag-resena\" data-id=\"10661\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-mimbres-de-amor-antonio-del-barrio-estremera\/\" aria-label=\"Mimbres de Amor, de Antonio del Barrio Estremera. El amor como sistema, el verso como herramienta\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0_Portada_MIMBRES-DE-AMOR.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0_Portada_MIMBRES-DE-AMOR.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0_Portada_MIMBRES-DE-AMOR-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/05\/0_Portada_MIMBRES-DE-AMOR-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"9a7a5a\" style=\"--dominant-color: #9a7a5a;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-mimbres-de-amor-antonio-del-barrio-estremera\/\">Mimbres de Amor, de Antonio del Barrio Estremera. El amor como sistema, el verso como herramienta<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Cr\u00edtica del poemario Mimbres de Amor de Antonio del Barrio Estremera: una taxonom\u00eda afectiva en veintis\u00e9is poemas que propone el amor como artesan\u00eda construida componente a componente.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10616 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-alhama-de-murcia tag-ana-maria-olivares tag-ediciones-amaniel tag-esteban-urrea-lazaro tag-memoria-historica tag-narrativa-espanola tag-novela-de-intriga tag-resena tag-sierra-espuna tag-tuberculosis\" data-id=\"10616\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/la-mujer-del-sanatorio-investigacion-como-metodo-narrativo\/\" aria-label=\"La mujer del sanatorio: Investigaci\u00f3n como m\u00e9todo narrativo.\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/PortadaCrowdfunding_Lamujerdelsanatorio.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/PortadaCrowdfunding_Lamujerdelsanatorio.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/PortadaCrowdfunding_Lamujerdelsanatorio-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/PortadaCrowdfunding_Lamujerdelsanatorio-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"bdbeb7\" style=\"--dominant-color: #bdbeb7;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/la-mujer-del-sanatorio-investigacion-como-metodo-narrativo\/\">La mujer del sanatorio: Investigaci\u00f3n como m\u00e9todo narrativo.<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Rese\u00f1a cr\u00edtica de \u00abLa mujer del sanatorio\u00bb, \u00f3pera prima de Esteban Urrea L\u00e1zaro (Ediciones Amaniel, 2026). Una novela de intriga de estructura dual \u20141962 y 2017\u2014 ambientada en el antiguo Sanatorio de Tuberculosos de Sierra Espu\u00f1a, en Alhama de Murcia, donde dos investigadores persiguen un suceso traum\u00e1tico ocultado durante d\u00e9cadas. Por Ana Mar\u00eda Olivares.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10585 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-ana-maria-olivares tag-antonio-gamoneda tag-chantal-maillard tag-don-de-la-invocacion tag-ediciones-rilke tag-invocacion tag-jose-angel-valente tag-jose-corredor-matheos tag-lirica-espanola-contemporanea tag-mistica-espanola tag-poema-como-umbral tag-poesia-filosofica tag-raul-gimeno tag-resena-poetica tag-silencio\" data-id=\"10585\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/don-de-la-invocacion-el-poema-como-umbral\/\" aria-label=\"DON DE LA INVOCACI\u00d3N: EL POEMA COMO UMBRAL\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/0_Portada_Don-de-la-invocacion_editor.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/0_Portada_Don-de-la-invocacion_editor.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/0_Portada_Don-de-la-invocacion_editor-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/0_Portada_Don-de-la-invocacion_editor-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"b5b9b9\" style=\"--dominant-color: #b5b9b9;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/don-de-la-invocacion-el-poema-como-umbral\/\">DON DE LA INVOCACI\u00d3N: EL POEMA COMO UMBRAL<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Rese\u00f1a cr\u00edtica de Don de la invocaci\u00f3n de Ra\u00fal Gimeno (Ediciones Rilke, 2026) a cargo de Ana Mar\u00eda Olivares. An\u00e1lisis de estructura, estilo, intertextualidad filos\u00f3fica y posici\u00f3n del poemario en la tradici\u00f3n de la poes\u00eda del silencio espa\u00f1ola.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10573 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-ana-maria-olivares tag-bambu tag-critica-literaria tag-diaspora-puertorriquena tag-editorial-poesia-eres-tu tag-memoria-familiar tag-myrna-l-betancourt tag-poesia-contemporanea tag-poesia-en-espanol tag-poesia-latinoamericana tag-poesia-puertorriquena tag-poesia-testimonial tag-resena-poesia tag-resiliencia tag-lo-callado-a-gritos\" data-id=\"10573\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-literaria-de-lo-callado-a-gritos\/\" aria-label=\"Cr\u00edtica literaria de \u00a1Lo callado, a gritos!\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/0_portada_Localladoagritos.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/0_portada_Localladoagritos.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/0_portada_Localladoagritos-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/04\/0_portada_Localladoagritos-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"43484c\" style=\"--dominant-color: #43484c;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-literaria-de-lo-callado-a-gritos\/\">Cr\u00edtica literaria de \u00a1Lo callado, a gritos!<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Cr\u00edtica literaria de \u00a1Lo callado, a gritos!, primer poemario de Myrna L. Betancourt (Editorial Poes\u00eda eres t\u00fa, 2026). Un libro sobre la di\u00e1spora puertorrique\u00f1a, la memoria familiar y la resiliencia, articulado en torno a la met\u00e1fora del bamb\u00fa. An\u00e1lisis de Ana Mar\u00eda Olivares.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10549 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas tag-ana-maria-olivares tag-duelo tag-editorial-poesia-eres-tu tag-jose-c-balague-domenech tag-poemario-2026 tag-poesia-de-la-experiencia tag-poesia-espanola tag-resena-poesia tag-versos-y-aversos\" data-id=\"10549\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/versos-y-aversos-cuando-la-forma-se-convierte-en-destino\/\" aria-label=\"VERSOS Y AVERSOS: CUANDO LA FORMA SE CONVIERTE EN DESTINO\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_VERSOS-Y-AVERSOS.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"Portada del libro &quot;Versos y Aversos&quot; de Jos\u00e9 Carlos Balagu\u00e9 Dom\u00e9nech, con pies desnudos sobre s\u00e1bana.\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_VERSOS-Y-AVERSOS.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_VERSOS-Y-AVERSOS-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_VERSOS-Y-AVERSOS-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"191b1b\" style=\"--dominant-color: #191b1b;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/versos-y-aversos-cuando-la-forma-se-convierte-en-destino\/\">VERSOS Y AVERSOS: CUANDO LA FORMA SE CONVIERTE EN DESTINO<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>An\u00e1lisis cr\u00edtico de Versos y Aversos, primer poemario de Jos\u00e9 C. Balagu\u00e9 Dom\u00e9nech (Editorial Poes\u00eda eres t\u00fa, 2026): una obra que abarca el amor, el duelo y la experiencia er\u00f3tico-afectiva de toda una vida sin selecci\u00f3n defensiva, en di\u00e1logo con la poes\u00eda de la experiencia espa\u00f1ola y con referentes como Cardenal, Lorca o Neruda. Rese\u00f1a firmada por Ana Mar\u00eda Olivares.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10492 post type-post status-publish format-standard has-post-thumbnail hentry category-resenas\" data-id=\"10492\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-literaria-de-parajes-impares-de-mia-reig\/\" aria-label=\"Cr\u00edtica literaria de Parajes impares de Mia Reig\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_PARAJES-IMPARES.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"Portada de la revista &quot;Poes\u00eda eres t\u00fa&quot; con paisaje surrealista y elementos naturales en tonos dorado.\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_PARAJES-IMPARES.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_PARAJES-IMPARES-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_PARAJES-IMPARES-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"7a7551\" style=\"--dominant-color: #7a7551;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-literaria-de-parajes-impares-de-mia-reig\/\">Cr\u00edtica literaria de Parajes impares de Mia Reig<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Cr\u00edtica literaria de Parajes Impares, \u00f3pera prima de Mia Reig (Editorial Poes\u00eda eres t\u00fa, 2026). Ana Mar\u00eda Olivares analiza la arquitectura emocional del poemario, su registro dual, los referentes intertextuales y la secci\u00f3n dedicada a Margarita Gil Ro\u00ebsset.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10466 post type-post status-publish format-standard has-post-thumbnail hentry category-libros category-resenas\" data-id=\"10466\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-literaria-de-fuera-de-la-jaula-de-andres-martinez-diaz\/\" aria-label=\"Cr\u00edtica literaria de Fuera de la Jaula de Andr\u00e9s Mart\u00ednez D\u00edaz\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_Fuera-de-la-Jaula_editor.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"Imagen de un hombre leyendo en una biblioteca con chimenea y libros, evocando la cr\u00edtica literaria d.\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_Fuera-de-la-Jaula_editor.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_Fuera-de-la-Jaula_editor-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0_Portada_Fuera-de-la-Jaula_editor-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"3e2917\" style=\"--dominant-color: #3e2917;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-literaria-de-fuera-de-la-jaula-de-andres-martinez-diaz\/\">Cr\u00edtica literaria de Fuera de la Jaula de Andr\u00e9s Mart\u00ednez D\u00edaz<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Ana Mar\u00eda Olivares analiza Fuera de la Jaula (Ediciones Rilke, 2026), el poemario de Andr\u00e9s Mart\u00ednez D\u00edaz organizado en doce secciones tem\u00e1ticas. La cr\u00edtica estudia su arquitectura, la convivencia del registro culto y el dialecto murciano, las formas m\u00e9tricas \u2014copla, sexteta consonante, vers\u00edculo anaf\u00f3rico\u2014, y sit\u00faa el libro en el panorama po\u00e9tico espa\u00f1ol de 2026 en di\u00e1logo con Gloria Fuertes, Gil de Biedma y la poes\u00eda social de posguerra.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n\t<article class=\"w-grid-item size_1x1 post-10405 post type-post status-publish format-standard has-post-thumbnail hentry category-libros category-resenas\" data-id=\"10405\">\r\n\t\t<div class=\"w-grid-item-h\">\r\n\t\t\t\t\t\t<div class=\"w-post-elm post_image usg_post_image_1 stretched\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-a-de-la-mano-de-gloria-tributo-a-gloria-fuertes\/\" aria-label=\"Cr\u00edtica a De la mano de Gloria. Tributo a Gloria Fuertes\"><img loading=\"lazy\" decoding=\"async\" width=\"559\" height=\"794\" src=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0Portada_De-la-mano-de-Gloria.webp\" class=\"attachment-us_600_600_crop size-us_600_600_crop not-transparent wp-post-image\" alt=\"Imagen de portada de la revista Poes\u00eda eres t\u00fa, dedicada a Gloria Fuertes y con ilustraciones de Jua.\" srcset=\"https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0Portada_De-la-mano-de-Gloria.webp 559w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0Portada_De-la-mano-de-Gloria-211x300.webp 211w, https:\/\/poesiaerestu.com\/revista\/wp-content\/uploads\/2026\/03\/0Portada_De-la-mano-de-Gloria-42x60.webp 42w\" sizes=\"auto, (max-width: 559px) 100vw, 559px\" data-has-transparency=\"false\" data-dominant-color=\"6d8aa3\" style=\"--dominant-color: #6d8aa3;\" \/><\/a><\/div><h2 class=\"w-post-elm post_title usg_post_title_1 color_link_inherit\"><a href=\"https:\/\/poesiaerestu.com\/revista\/critica-a-de-la-mano-de-gloria-tributo-a-gloria-fuertes\/\">Cr\u00edtica a De la mano de Gloria. Tributo a Gloria Fuertes<\/a><\/h2><div class=\"w-post-elm post_content usg_post_content_1\"><p>Este art\u00edculo ofrece una lectura cr\u00edtica de \u201cDe la mano de Gloria. Tributo a Gloria Fuertes\u201d, de Jos\u00e9 Francisco Dev\u00eds Capilla, un libro que dialoga con la voz de Gloria Fuertes para abrir una grieta de luz en tiempos de miedo y cansancio. La rese\u00f1a analiza c\u00f3mo sus poemas, nacidos de un podcast de buenas noticias y acompa\u00f1ados de ilustraciones, reivindican la alegr\u00eda, la empat\u00eda y la poes\u00eda cercana como herencia viva de la autora madrile\u00f1a.<\/p>\n<\/div>\t\t<\/div>\r\n\t\t\t<\/article>\r\n<\/div>\t<div class=\"w-grid-preloader\">\r\n\t\t<div class=\"g-preloader type_1\">\r\n\t\t\t<div><\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n\t\t\t\t<nav class=\"pagination navigation\" role=\"navigation\">\r\n\t\t\t\t<div class=\"nav-links\">\r\n\t\t\t\t\t<span aria-current=\"page\" class=\"page-numbers current\"><span>1<\/span><\/span>\n<a class=\"page-numbers\" href=\"https:\/\/poesiaerestu.com\/revista\/wp-json\/wp\/v2\/pages\/7169\/page\/2\/\"><span>2<\/span><\/a>\n<a class=\"page-numbers\" href=\"https:\/\/poesiaerestu.com\/revista\/wp-json\/wp\/v2\/pages\/7169\/page\/3\/\"><span>3<\/span><\/a>\n<a class=\"page-numbers\" href=\"https:\/\/poesiaerestu.com\/revista\/wp-json\/wp\/v2\/pages\/7169\/page\/4\/\"><span>4<\/span><\/a>\n<a class=\"page-numbers\" href=\"https:\/\/poesiaerestu.com\/revista\/wp-json\/wp\/v2\/pages\/7169\/page\/5\/\"><span>5<\/span><\/a>\n<a class=\"next page-numbers\" href=\"https:\/\/poesiaerestu.com\/revista\/wp-json\/wp\/v2\/pages\/7169\/page\/2\/\"><span>Next<\/span><\/a>\t\t\t\t<\/div>\r\n\t\t\t<\/nav>\r\n\t\t\t\t<div class=\"w-grid-json hidden\" onclick='return {&quot;action&quot;:&quot;us_ajax_grid&quot;,&quot;infinite_scroll&quot;:0,&quot;max_num_pages&quot;:5,&quot;pagination&quot;:&quot;regular&quot;,&quot;template_vars&quot;:{&quot;columns&quot;:&quot;3&quot;,&quot;exclude_items&quot;:&quot;none&quot;,&quot;img_size&quot;:&quot;us_600_600_crop&quot;,&quot;ignore_items_size&quot;:0,&quot;items_layout&quot;:&quot;7202&quot;,&quot;items_offset&quot;:&quot;1&quot;,&quot;load_animation&quot;:&quot;none&quot;,&quot;overriding_link&quot;:&quot;{\\&quot;url\\&quot;:\\&quot;\\&quot;}&quot;,&quot;post_id&quot;:0,&quot;query_args&quot;:{&quot;post_type&quot;:[&quot;post&quot;],&quot;tax_query&quot;:[{&quot;taxonomy&quot;:&quot;category&quot;,&quot;field&quot;:&quot;slug&quot;,&quot;terms&quot;:[&quot;resenas&quot;]}],&quot;post_status&quot;:[&quot;publish&quot;],&quot;posts_per_page&quot;:&quot;21&quot;},&quot;orderby_query_args&quot;:{&quot;orderby&quot;:{&quot;date&quot;:&quot;DESC&quot;}},&quot;type&quot;:&quot;grid&quot;,&quot;us_grid_post_type&quot;:&quot;post&quot;,&quot;us_grid_ajax_index&quot;:1,&quot;us_grid_filter_query_string&quot;:null,&quot;us_grid_index&quot;:1,&quot;page_args&quot;:[]}}'><\/div>\r\n\t<\/div><\/div><\/div><\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"De la mano de Gloria. Tributo a Gloria Fuertes Autor: Jos\u00e9 Dev\u00eds Editorial Poes\u00eda eres t\u00fa \u00b7 Primera edici\u00f3n, 2026 \u00b7 ISBN: 979-13-87806-31-6 \u00b7 26 poemas \u00b7 Ilustraciones de Juan Jos\u00e9 Lorente T\u00cdTULO Y AUTOR Jos\u00e9 Dev\u00eds \u2014nombre de publicaci\u00f3n de Jos\u00e9 Francisco Dev\u00eds Capilla\u2014 llega a la poes\u00eda por una v\u00eda inhabitual en el...","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-7169","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v24.7 (Yoast SEO v28.1) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Libros recomendados de poes\u00eda<\/title>\n<meta name=\"description\" content=\"\u00bfNo sabes que libro de poes\u00eda leer? 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